A Journey of Cultural Fusion
Pataka Boys – Originally a sparring exercise between PAV4N and Sonnyjim, two veterans of the UK rap scene, this project evolved into a groundbreaking exploration of culture and heritage.
Beginning in London, the duo traveled across India, recording in iconic locations like the Taj Mahal’s executive suite, Goa’s jungles, and temples in Amritsar.
Produced by the previously undiscovered Kartik, Thugs From Amritsar weaves together soul samples, bilingual raps, and soundbites from classic Punjabi cinema, creating a rich tapestry of sounds that resonate with the global Indian experience.
A Nod to Legends and Lived Experiences
The album kicks off with ‘Black Sabbath,’ a track that name-checks the legendary heavy-metal band from Sonnyjim’s hometown, Birmingham, setting the tone for the album’s luxury aesthetic.
‘Bappi Lahiri,’ named after the renowned Bollywood musician, features a guest verse from British-Bengali rapper M.O.N.G.O of Mud Family fame.
‘Megaloblast’ showcases the duo’s adventures, with PAV4N dropping lines like “I’m Sidhu Moose Wala, you a cucaracha,” paying homage to the late Indian rapper.
‘Cheema Kalan’ merges Blaxploitation and Bollywood sounds, highlighting Kartik’s slick production that complements the duo’s larger-than-life lyrics.
International Collaborations and Homages
‘Guddi Check,’ a focus track, features moody instrumentals by Kartik and incendiary guest verses in Hindi by Indian rap duo Seedhe Maut, making it an uncompromising international posse cut.
‘Ghosht Stories’ stands out with its off-kilter beat and intricate rhymes by PAV4N and M.O.N.G.O, packed with wit and double entendre.
‘Punjabi Munde’ marks Sonnyjim’s first-ever rap in Punjabi, inspired by his return to India after 30 years. Sikander Khalon joins in with thought-provoking lyrics on this dreamlike track.
‘Dettwork South Asia’ pays homage to Blak Twang’s debut album, offering a fresh take on a UK hip-hop classic.
Exploring Themes of Identity and Resistance
‘Donny Dakoo,’ featuring Queens rapper Heems, is a brief yet psychedelic journey through their vivid realities.
‘Bud Bud Ding Ding’ reclaims an old slur against South Asians in Britain, with Kartik’s blurry instrumental complementing the rappers’ confident verses. Juss Nandhra’s stellar Punjabi folk vocals close the track.
On ‘Brown Sauce,’ PAV4N delivers a choppy, tongue-twisting chorus, while Sonnyjim remains playful, referencing classic hip-hop lyrics.
‘Roses’ shifts to a more sentimental tone, with the duo reminiscing on overcoming life’s challenges with grace.
Reflective and Powerful Closing
‘Ganaur Lemon Tree’ provides a glimpse into Sonnyjim’s psyche, offering a stream-of-consciousness verse over Kartik’s wistful beat.
The album concludes with ‘Glassy Junction,’ an ode to a legendary Southall venue once owned by Sonnyjim’s uncle.
The track begins with a sound bite from a racist speech, reflecting the ignorance faced by Indian families during the post-war emigration wave to the UK.
Significance of Azadi Records
Releasing the album on Azadi Records, India’s premier hip-hop label, underscores its importance. Azadi Records champions a diverse range of cutting-edge artists, influencing the recent boom of authentic hip-hop in India.
A Unique and Detailed Masterpiece
Thugs From Amritsar is a meticulously crafted album that deserves thoughtful listening. Pataka Boys have created a refreshingly unique body of work that unites hip-hop lovers and the South Asian diaspora, showcasing their culture in an unprecedented fashion.